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Legal framework of remixing: Techdirt makes the point

MXP4 par MXP4 le 29.03.2009

Remixing Is Creating And Original — It’s Not Just Derivative Copying

At the beginning of the month we were one of the first to write about the amazing Thru-You ”album” created by a DJ named Kutiman, who took individual sounds off of YouTube and mixed them into a full album. I’ve always been a believer in the concept that remixing [...]

Remixing Is Creating And Original — It’s Not Just Derivative Copying

At the beginning of the month we were one of the first to write about the amazing Thru-You ”album” created by a DJ named Kutiman, who took individual sounds off of YouTube and mixed them into a full album. I’ve always been a believer in the concept that remixing something is a creative endeavor in its own right, but I’d never seen the point driven home quite as clearly as in this album. Not suprisingly, Kutiman has received plenty of well-deserved attention for the project, and Wired is running a great interview with him that’s well worth reading. The idea that what he’s done is almost certainly illegal and copyright infringement (he seems incredulous at the idea) should be a clear indication that something is wrong with the current copyright regime. 

But, again, there’s this false belief out there that “remixing” is simply copying. But I defy anyone to explain how taking a simple kid playing a scale on a trumpet could become integral to an entire (great) funk song. Here’s the trumpet bit: And here’s the full song: Or how about this basic trombone solo becoming such a haunting and compelling part of this dub reggae song (trombone comes in at 42 seconds). Here’s the trombone: And here’s the full song: To say that’s “copying” or even just derivative is insulting to the amazing creativity and work of Kutiman to blend all these totally separate sounds into something amazing. Just as a musician plays notes on an instrument, Kutiman used YouTube as his instrument and created something amazing and wonderful… that probably breaks a ton of copyright laws. It’s difficult to see how anyone could claim that’s not a massive problem.

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MXP4 powers new interactive music solutions for artists, fans, brands, labels and distribution platforms. MXP4 is a brand new multimedia format containing music, images and texts; allowing on the fly mixing of different versions of a song; updatable over time; allowing various interactive marketing applications with the end users. The format is either downloadable or streamable. It is available both on a personal computer and on mobile phones applications. With MXP4, people don't just play the music, they play with it! this is the dna of remix culture MXP4 wants to empower." Artists roaster : Michael Jackson, Vitalic, Cindy Gomez, Soldout, Bassnectar, Sliimy, Ghostface Killah, Pink, Calvin Harris, Wax Tailor, Ophelie Winter, Nouvelle vague, Pony Pony Run Run, Dragonette, Midival Punditz, La Fouine, Birdy Nam Nam, Naive New Beaters, Stereos, Paramore, Jully Black, Pet Shop Boys, Molecule, Friends Of Friends, La Roux, The Sounds, Satine, David Guetta, The Grouch and Eligh, Chuckie, Britney Spears, The Grouch, Justin Nozuka, Jack Penate, Pep s, Kleerup, Dave Stewart, Esser, Passion pit, Amanda Blank, Data, Iliona Blanc, Speech Debelle, The Bravery, Bat For Lashes, Black and White Years, Basement Jaxx, Mark Knight, Coke, Ma Public Therapy, Black Kent, Danger, Nakidim, Lia Bowen, Make the girl dance, VV Brown, Ben Harper, Les chanteuses, Sarah Riani, Styrofoam Ones, Amen Birdmen, Laszlo Jones, Agnes, Kelis, K'Naan, Audrey Katz, Stars, Digikid84, Big Boi, Knaan Music, Gotan Project…